Réalisation d'une vidéo pour/avec l'agence événementiel Le Loup Blanc. (Tournage, VFX, SFX, Tracking 3D, Création des personnages, vêtements et décors 3D, animation, motion-capture full-body, montage) Lors d'une conférence pour ses 35 ans, L'assureur DARVA souhaitait présenter à tous ses collaborateurs un exemple réel de potentiel futur moyen de communication et de mise en relation rapide entre les différents acteurs d'un sinistre tels que l'assuré, l'assureur, le réparateur et l'expert, via la réalité virtuelle et augmentée. www.leloupblanc.fr www.fabiendelarue.com

Using an iPad to frame 3D scenes in real time

Augmented Reality test, with image detection, interactions, animations, fx, and ambient room lighting. It works on Android and IOS. For this test I used the figurines of the game Super Fantasy Brawl by Mythic Games. Next step: Object/figurines detection (more complicated)

I'm testing several kinds of retargeting in Unreal 5.1 using the Rokoko suit. The movements are raw, not cleaned. I just used quickly few IK Solvers to stick the feet on the ground and few Pole Solvers to adjust the knee orientation. The models come from Turbosquid and Cgtrader.

I tried to bring my own morphs to my metahuman, starting with Daz. I show in this video how we can: - Modify the Metahuman mesh and create its own morphs even after importing in UE5. - Paint the skin texture in Substance Painter and modify it in Photoshop keeping the UVs from MHC. - Modify the Blueprint of the Control Rig to add sliders that can activate our own morphs to have access to them directly in the viewport/timeline (see here the vampire teeth) - Create hair (with Ornatrix here but possible with Xgen in Maya), and add wind in Niagara. - Add a transparent object on the eyes and assign it lights that will only illuminate the specular (eye moisture).

For this example I used a 3D animation created (with motion-capture) few months ago for the trailer HEL The Last Saga https://www.youtube.com/watch?v=rgNx3tSBK18 Music Danheim - Grípir vocal version

Few landscapes I filmed with my first drone during a road trip in Australia in 2013. A force d'être encodée sur différentes plateformes la vidéo a perdu beaucoup en qualité d'image... Il faut la regarder de très loin ou de très haut!

Présentation de l'entreprise SORAM Client: La Compagnie Hyperactive